Birchwood Page 6

  One morning there was a startling change in his condition. Mama found him sitting up in bed rubbing his hands gleefully, trembling with excitement. God had come to visit him in the night.

  ‘That's nice,’ said Mama. ‘Did he have anything to say?’

  He gave her a crafty sidelong look, became suddenly morose, and changed the subject by petulantly demanding his false teeth. They had been in a little glass there beside the bed. Where were they gone? She tried to outmanoeuvre him.

  ‘You know, I'm sure Mr Culleton would be very interested to hear about-’

  ‘Bugger that-where's my teeth?’

  She had taken away that dangerous set of weapons while he slept. Now she brought them back. Poor Mama, no tenacity.

  ‘Where's Joseph?’ he cried, clacking his choppers. ‘I want to talk to Joseph.’

  But when my father was found the old man had forgotten what he wanted to say. He lapsed again into silence and staring. By the afternoon he was delirious. An enormous woodlouse, he told us, was lumbering around the room with elephantine tread, blind antennae feeling the fetid air, searching for him. The louse, it seems, was god come a second time. The old man tried to flee from his bed and had to be restrained by force. His withered frame hid unexpected reserves of strength. The vicar and the doctor arrived together, unlikely angels of death. The Reverend Culleton had five minutes alone with the fast-failing sinner and came out of the sickroom looking decidedly shaken. Doc McCabe, hardly less decrepit than his patient, just looked down at the old man and shook his head.

  ‘What's wrong with him?’ Papa whispered. The whole business of this dying had come smack in the middle of a delicate and complex land deal.

  ‘Poor Simon,’ the Doc sighed. ‘Dear me, it seems like only yesterday…’

  ‘Yes yes, but what's wrong with him?’

  Tor god's sake man, it's a wonder he's alive at all! He's as strong as a horse, must be.’ Papa looked down doubtfully at the ancient foetus in the bed. McCabe suddenly cackled. ‘It wouldn't surprise me if he lived another couple of years!’

  Papa slowly closed his eyes.

  ‘Christ,’ he muttered, and walked away.

  Granny Godkin refused to acknowledge that her sometime husband was on the way out. Perhaps she did not want to be reminded of her own approaching extinction, or maybe she was just not interested in the old man's going. I favour the latter. She sat by the fire in the drawing room all day and greeted Aunt Martha's bulletins from the sickroom with a deaf smile.

  ‘What's that you say, my dear…?’

  I was summoned to the bedside in the evening. Granda Godkin wished to say goodbye to me. For a long time he said nothing. The others, at my back, began to fidget. He gazed through me, into his private pale blue eternity, and it was as if he were already dead, a mere memory, he was so thin and faded. At last his eyes came back and focused on me. He took me for my father, and said very clearly,

  ‘Joe, you'll never be anything but a waster!’

  That was his farewell. I knew that those attendant silences behind me expected something of me, but what it was I did not know. I tried to take his hand but he would not let me lift it, and turned his face to the wall, so I caught hold of one of his brown-paper fingers and shook it solemnly and then made my escape. Did I mourn him? I suppose I did, in my way. But I felt, as I have felt at every death, that something intangible had slipped through my fingers before I discovered its nature. All deaths are scandalously mistimed. People do not live long enough. They come and go, briefly, shadows dwindling toward an empty blue noon.

  One memory, hardly worth mentioning, but here it is, for lack of something finer. He taught me to ride a bicycle. In spring it was, of course, an April evening, sunlight, wind in the trees, the crocuses sprouting. A dog followed us, a miserable creature with a swollen belly and moist eyes. Granda Godkin loathed animals, he picked fights with them. That evening he would stop suddenly, turn, stamp his foot, growl. The tyke stopped too, looked at him attentively, one ear quivering, and set off after us again. The old man held the back of the saddle and trotted beside me, wheezing and gasping, roaring encouragement. I sat perched on this impossibly spindly, wobbling contraption with my heart in my mouth, pedalling furiously and getting nowhere until Granda, with one last tremendous shove, let go his hold and sent me sailing on alone. The handlebars trembled, the front wheel hit a stone, I squealed in fright, and then I felt a kind of click, I cannot describe it, and the bike was suddenly transformed into a fine and delicate instrument as light as air. The taut spokes sang. I flew! That gentle rising against the evening air, that smooth flow onwards into the blue, it is as near as earthbound creatures ever come to flying. It did not last long, I jumped down awkwardly, landed on my crotch on the crossbar, and the back wheel ran over my foot. I turned and looked back at Granda Godkin, shuffling behind me. He was speaking. Congratulations, surely?

  ‘I'm after twisting me hip!’ he cried.

  He lived until late in the night, when I was awakened not by a sound but by something in the silence going awry. There was someone in the corridor. I peeped out. A shimmering pale figure descended the stairs swiftly and disappeared from view. The front door opened, I heard it, and felt the faint night air. A gleam of light fell across the landing and was immediately extinguished. The air bore traces of a woody perfume which at first I could not identify, I think because it was so familiar. There was a soft rustling sound followed by a gasp, and another figure appeared and crawled on hands and knees to the head of the stairs. He slithered down the first few steps, paused, and with a tiny cry plunged on down into the darkness. I was turning back into my room when I heard, far below, a bark like that of an animal in pain, and when I looked out from my window I saw him again, scuttling like a maimed crab across the lawn into the wood where a bird was singing, such beauty, such passion, a nightingale perhaps, although I do not think there are nightingales in this part of the world. Was it near dawn then? I went back to bed. Cigar smoke, yes, yes, wearily, sleepily, I admitted it.

  They found him early in th & morning in the birch wood, curled like a stillborn infant in the grass. His ruined mouth was open, caked with black blood, and it was not until they were moving him that they discovered, in the tree beside which he lay, his false teeth sunk to the gums like vicious twin pink parasites in the bark. Aunt Martha came to my room to break the news to me. All I could do was sit on the side of the bed, speechless and numb, with my socks in my hand, and stare at her shimmering white nightgown, admitting to myself what I already knew, that I had not been dreaming. Exasperated by my dullness, she caught my shoulders and shook me until my jaws rattled.

  ‘Do you never cry!’

  Not yet.

  11

  WITH GRANDA GODKIN gone at last my father came into his inheritance. On the very day that the will was read, confirming his freedom, Papa sold off fifty acres to old man Gaddern of Halfmile House, who, it was rumoured, was financing the rebels in the area, partly from sympathy but mostly as a means of ensuring the safety of his portion of the new State the revolution would found. Along with other sales made on the sly while my grandfather was still alive, this latest iniquity left Birchwood crippled, with the Gaddern swine crowding us on three sides and the sea at our back. Papa got drunk at dinner that night, and when Granny Godkin launched her inevitable attack on him he just sat back and laughed at her, picking his teeth with a matchstick.

  ‘Times are hard, mother, times are hard. Have another glass of wine.’

  ‘Wine! Your father not cold in his grave and you…you…You were only waiting for him to die. Are you human at all?’

  ‘Aye, unlike yourself, all too human. Show me your glass here, come on.’

  The old woman began to blubber, not very convincingly, and turned to Aunt Martha for support. If Papa was Granda Godkin's heir, his sister was being groomed as Granny's. Someone had to carry on the struggle. Martha, looking splendidly menacing in black, went to her mother's side to comfort her.

  ‘
You're a pig, Joseph Godkin,’ said my aunt. ‘You always were.’

  He laughed, and banged the table with his fist.

  ‘Beatrice, do you hear? That's the thanks we get for taking her and her brat in off the roads.’

  Mama would not lift her head. She said quietly,

  ‘Joe, please, the boys…’

  ‘Ah let them listen, see what they'll be up against when the time comes.’ He turned to his sister again and considered her contemptuously. ‘By Christ, it's a laugh. The whores are on horseback.’

  Aunt Martha grimaced in disgust and would not answer him. Granny Godkin, disappointed I think at her protege's apparent lack of spirit, pushed her daughter out of the line of fire and cried,

  ‘A goodfornothing drunkard, that's all you are. And god forgive me that I ever had you. Now!’

  Papa opened his mouth and closed it again, looking slowly from one of us to the other. We avoided his eye. His uncertain gaze distressed us. It was unthinkable that he, the rock on which our fortunes so perilously teetered, should crack under the pressure of a mere family row. Mama's knife clattered as she dropped it on her plate. She blushed. On occasions such as this her greatest wish seemed to be to merge quietly into the wallpaper and disappear. Michael, hunched over his dinner, looked out cautiously at Aunt Martha from under his pale brows. Papa shook his head wearily and crossed with heavy tread to the french windows and drew them open on the still night. From the garden there entered the fragrance of flowers and trees, of earth, a sturdy sensuousness which hovered on the thick tepid air of the room like an uninvited and unwelcome guest. Papa chuckled softly, rocking on his heels.

  ‘We might as well get what we can while we can,’ he said softly. ‘They're taking over.’

  He put his hands into his pockets and sauntered off into the darkness, whistling. Granny Godkin shrugged, and clutched her shawl tightly about her shoulders.

  ‘Drunken nonsense!’ she snapped. ‘Rubbish. Beatrice! Will you shut that window before I catch my death.’

  Mama obediently rose to close out the unsettling night, but suddenly Papa reared up out of the darkness, wild-eyed, his hair on end and his suit smeared with mud, a startling transfiguration. He pushed Mama aside and flung himself at Aunt Martha.

  ‘YouT he roared, and thrust a trembling forefinger under her nose. ‘You and your whelp can get out if you don't like it here. Nothing to stop you!’

  Aunt Martha folded her arms and gazed at him calmly, smiling faintly. His eyes bulged, and two small bright crimson stains appeared on his cheekbones. His tie was twisted under his left ear. I knew, by a sudden unimpeachable intuition, that he had tripped over the bicycle which I had left lying on its side on the lawn, and I had to look into Mama's tormented face to keep myself from laughing.

  ‘PigS said Aunt Martha, jabbing the word like a needle into Papa's face, and carelessly picked a thread from her sleeve. He reached out behind him to the half-dead wine bottle on the table and flung it across the room. It burst against the wall with an understated plop and sprayed blood-red wine down Michael's back. A curved splinter of pink glass flew up in an arc and splashed into the water jug beside Granny Godkin's plate, and the old woman gave a squeak of fright. Aunt Martha sprang to her feet, ready to howl, but Papa suddenly turned to her with an admonitory finger to his lips. He smiled. She stood aghast, her mouth and eyes wide open, and he took his finger from his lips and waved it roguishly at her and then stalked softly out of the room. I was shocked, not by his violence, that was nothing new, but by something odd and humourously sinister which I had perceived in that balletic moment between them, a moment frozen forever for me in the precise picture of his smile which I retain to this day. Mama stared at her sister-in-law, and through clenched teeth produced a weird sound, a kind of snarl, full of pain and jealousy. Aunt Martha turned her back on the room disdainfully. Jealousy?

  ‘Is he gone mad or what?’ Granny Godkin demanded, glaring petulantly at the two women. She liked to start these fights and then pretend that those who fought with her were unreasonable to the point of insanity. ‘The DTs,’ she muttered. ‘Definitely.’

  ‘O shut up!’ Aunt Martha cried, and plunged her hands into her hair. Michael, not without amusement, craned his neck and peered down at the wine stains on his back. Papa returned. He had straightened his tie and brushed his hair and sponged the mud from his suit. He took his place at the head of the table. Aunt Martha remained standing for a time, uncertain whether or not the row was finished, glaring histrionically at my father. He ignored her, and she sat down. Josie brought in the coffee.

  ‘Well, men,’ said Papa, glancing at Michael and me. ‘Blackers tomorrow, eh? All set?’

  ‘Yes, Uncle Joe.’

  ‘That's good, that's good.’ He nodded vigorously, spooning sugar into his cup. ‘It's a fair crop this year.’

  What surprises me even still is that his heartiness was only slightly false, and only that much because he did not know how to talk to youngsters. The shouting and the broken bottle, all that was as nothing. Mama started the milkjug on its journey around the table. Granny Godkin was made to take her pill. Aunt Martha yawned behind her fingers.

  ‘A fair crop,’ Papa said again, and buried his nose in his cup. Michael glanced at me. I heard Josie rattling pots in the kitchen. Darkness pressed sofidy against the windows. The night was still and calm in its reaches, with a promise of fair weather for the morrow. Humankind is extraordinary.

  12

  PAPA WAS RIGHT , the blackcurrant crop was the heaviest in years that year. Just as well, since the fruit was by now one of the last remaining sources of income at Birchwood. The land on which it flourished had been already sold, and this was the final harvest we would take. Michael and I were put in charge of the pickers, a ragged army of tenant children and their grandmothers, and a few decrepit old men no longer capable of heavier toil. They were a wild primitive bunch, the old people half crazed by the weight of their years, the children as cheerfully vicious as young animals. Their conversation dwelt almost to the exclusion of all else on sex and death, and the children managed a neat conjunction of the two by carrying on their lovelife after dark in the local graveyard. They shied away instinctively from me, found me cold, I suppose, or saw my father in me, but Michael they immediately accepted. That surprised me. They listened to his orders and, more startling still, did as he told them. They even offered to arrange a girlfriend for him. That offer he declined, for he had little interest in the sexual duet, being a confirmed soloist, and it was I who made a conquest, when I met Rosie.

  In the morning I rose early and waded down through pools of sleep on the stairs to the garden, where Michael waited for me in the cart with Nockter. The lawn was drenched with light, the trees in the wood were still. A bright butterfly darned the air above the horse's head. We rattled along violet-shadowed lanes quick with blackbirds, by the edges of meadows where the corn was bursting. Birdsong shook the wood like gushes of wind. All was still but for the small clouds sailing their courses, and it was pleasant to be abroad in that new morning, with the smell of the furze, and the grass sparkling, that hawk, all these things.

  We reached the plantation. Nockter set up the huge brass scales, and Michael unharnessed the horse, whispering in its ear. I heard beyond the clatter of metal and leather the distant ring of voices, and turned and saw, down the long meadow, a concourse approaching, trembling on the mist, their cries softly falling through the air, mysterious and gay. If only, when they were beside me, when I was among them, they had retained even a fragment of the beauty of that first vision, I might have loved them. It is ever thus.

  The fruit we hardly picked, but rather saved. From under their canopies of leaf the heavy purple clusters tumbled with a kind of abandon into our hands. Down in the green gloom under the bushes, where spiders swarmed, the berries were gorgeous, achingly vivid against the dusty leaves, but once plucked, and in the baskets, their burnished lustre faded and a moist whitish film settled on the skin. If they wer
e to be eaten, and we ate them by the handful at the start, it was only in that shocked moment of separation from the stems that they held their true, their unearthly flavour. Then the fat beads burst on our tongues with a chill bitterness which left our eyelids damp and our mouths flooded, a bitterness which can still pierce my heart, for it is the very taste of time.

  Rosie was there with her granny, an obese old woman whose coarse tongue and raucous cackle froze the child into a trance of embarrassment. I noticed her first when we paused at noon to eat our sandwiches. Michael and I lay in the long grass of a ditch, belching and sighing, contemplating our outstretched bare legs and grimy toes. Rosie sat a little way from us, daintily fighting three persistent flies for possession of a cream bun. She had short dark hair rolled into hideous sausage curls. A saddle of freckles sat on her nose. She wore sandals and a dress with daisies on it. She was pretty, a sturdy sunburned creature. Having won her bun, she wiped the corners of her mouth with her fingertips and began to eat blackcurrants from the basket beside her, slowly, one by one, drawing back her lips and bursting each berry between her tiny white teeth. A trickle of crimson juice ran down her chin and dropped, plop, into her lap, staining a yellow daisy pink.

  We went back to work then. I heard her granny's laughter rising over the meadow, and by some mysterious process that awful noise was transmuted into an audible expression of the excitement which was making my hands tremble and my heart race.