Eclipse act-1 Read online

  “Darling,” I said now, in a voice athrob with insincerity, “I’m sorry.”

  One of the paradoxes of our fights is that almost invariably they do not begin in earnest until the stage has been reached when I first attempt to offer an apology. It is as if some primitive instinct of suppressed female dominance is triggered in Lydia by this hint of weakness on my part. Now she went for my throat at once. It was all the old things, rehearsed so often they have gone stale, for me, certainly, if not for her. I will say one thing, she is comprehensive. She starts off in my infancy, works her way rapidly through youth and early manhood, lingers with loving bitterness over our first years together, takes a diversionary swipe at my acting, both in professional and private life—“You’re never off the stage, we’re just the audience “—then she gets to my relations with Cass and really rolls up her sleeves. Mind you, she is not as savage or relentless as she used to be; the years have tempered her temper. What does not change is the image of me that she propounds. In her version, I have everything all wrong. My mother is sweet-natured, put-upon, long-suffering, her nagging of my father and then of me simply a plea for some demonstration of love or affection, a muffled cry out of a wounded heart. My father, on the other hand, is a secret tyrant, self-muted, vindictive, withholding, whose very death was an act of spite and revenge on the woman who had cherished him. When I remind her, in a tone of no more than mild remonstrance, that my father was dead long before she met me, she brushes the fact aside with a contemptuous gesture; she knows what she knows. In this inverted picture of my family—the Holy Trinity is her sneering nickname for us—I too of course am stood on my head. Did I lead a lonely and puzzled childhood, shocked bythe early loss of my father and subject thereafter to the unmeetable emotional demands of a bitterly disappointed mother? No, no: I was the little prince, showered with love, praise, gifts, who quickly saw off a resented father and spent the rest of his widowed mother’s life blaming her for all the things she could not be or do. Did I sacrifice the best years of my adult life working dear in cheap theatre to support my wife and her child in the luxury to which a doting father had irresponsibly accustomed his spoilt daughter? Indeed no: I was the typical monster of selfishness who would have prostituted his wife for a walk-on part. Did I love my daughter, try to wean her away from her darkest obsessions, save her from her worst excesses? Not I: she was a trial to me, an irritation, a stumbling block on the road to stage success, a source of shame and embarrassment before my smart friends in the brittle make-believe world in which I was trying to claw my way to fame. So you see: it was all a lie, all a part I was playing, and playing badly, at that. And now I had done the worst of all, had walked out of the production, leaving the rest of the cast to deal with the cat-calls of the audience and the management’s fury, while the backers all backed off.

  As I say, she is not the lioness she once was. In the old days she would frighten even herself with the vehemence of her denunciations. We would rage at each other late into the night, on a battlefield littered with smashed crystal and swirling with cigarette smoke and the fumes of alcohol, and wake in the ashen light of morning, a salt bitterness in our mouths and our throats raw from drink and shouting, and reach out a hand to each other, tremblingly, under the sheets, not daring to move our heads, and one would make a shaky enquiry and the other would croak some hoarse word of reassurance, and then we would lie there, counting our wounds, surprised that the war was done for another day and we were still breathing.

  I could hear Lily in the kitchen listening to us, trying not to make a sound. Exciting for a child, a real adults’ fight. Cass used to like to hear us going at it hammer and tongs; perhaps it was a comforting match for the clangour in her own head. Now I waited, and presently Lydia wound down, and leant forward wearily with her arms folded on her knees and her head hanging, great snorting sobs making her shudder now and then, fury’s after-tremors. Around us the shocked shadows congregated, like onlookers cautiously closing in on the still-smouldering scene of an explosion. On the lino near my foot a sunburst streamed and shivered. Odd, how distress gravitates to this passageway, the dank umbilicus of the house, with its windowless stretch of brown wall on one side and the overhang of the stairs on the other. Originally, in grander days, way before our time, it led to the servants’ quarters at the rear; halfway along there is still the frame of what was no doubt a green baize door, long ago removed. Air stands unmoving here, unchanged for centuries, it seems; vague draughts swim through, like slow fish. There is a stale, brownish smell that haunted me as a child; it was like the smell I made when I cupped my hands over my nose and mouth and breathed the same breath rapidly in and out. My mother it was who put the sofa here, dragged it in by herself from the front room one day when I was at school, another of her whims. The lodgers took to it straight away, there was always one of them sitting on it, this one nursing a disappointment in love, that one the unacknowledged beginnings of a cancer. Cass too would perch there, with her thumb in her mouth and her legs folded under her, especially after a seizure, when the light hurt her eyes and she wanted nothing but solitude, and silence, and shadows.

  The fact is, Lydia has always been jealous of Cass and me. Oh yes, she has. That was the way it was right from the beginning. It was into my arms that Cass as an infant would come tottering, no matter what blandishments her mother might be offering, what coos of encouragement or flattering cries. Even later, when her world was steadily darkening, it was I that our daughter would seek out first, it was my hand she would clutch to keep from falling past all help into the abyss of herself. Whose eyes did she seek when she came back from that first seizure, gazing up from the floor beside her bed with the bloody froth still on her mouth and that look on her face we thought was an unearthly smile but was only the effect of the contracted muscles relaxing? Who did she run to, laughing in terror, when she knew an attack was coming on? Who did she describe her aural visions to, the shattering glass cliffs and terrible birds made of metal and rags that flew at her eyes? Who did she turn to one day by that bed of lilies in someone’s garden and whisper in the thrilled rush of discovery that that, that was the smell, as of some wonderful delicate sweet rotted meat, that filled the air around her in the seconds before a seizure? Who was the one who woke first when that cry rose up through the night, that long high thin ululation, like a nerve being drawn slowly out of its sheath?

  I sat beside Lydia on the sofa, easing myself down as if she were asleep and I unwilling to wake her. The sunspot on the lino had shifted a stealthy inch or two. The moon in its course must be swinging ever closer to the sun, homing in on the light, like a moth. A faint whiff of strawy smoke drifted on to the air; a field of stubble somewhere was burning. The silence had a buzz to it, as of harp strings rubbed not plucked. My upper lip was unpleasantly damp. Long ago, when I was a boy, on a summer day like this one, still and hot, I walked across the fields, oh, for miles, it seemed, to a farm, to buy apples. I had brought with me my mother’s oilcloth shopping bag; it had an unpleasant, greasy smell. I wore sandals, and a horsefly stung me on an instep. The farmhouse was all overgrown with ivy and had many small dark gleaming windows. It was the kind of place where in a boy’s adventure book dark deeds would be afoot, and the farmer would wear gaiters and a waistcoat and carry a menacing pitchfork. In the yard a black-and-white dog growled at me and turned in cringing circles, its belly almost scraping the gravel. I stood in the stone-flagged porch while a fat surly woman in a flowered apron took my bag and went off into the shadowed depths of the house. There were gnarled geraniums in clay pots and a grandfather clock that seemed to hesitate before each tick. I paid the woman a shilling and she said nothing, watching me go. The dog in the yard growled again and licked its lips. The bag was heavy now, and kept bumping against my leg. In a lane I paused beside a soupy pond and watched the water-skimmers; their feet made pewtery dents in the surface; they moved as if worked by wires. The sunlight came through the trees like hot gold smoke. Why that day, that farm, t
he farmer’s wife, the apples, those insects on that pond—why any of it? Nothing happened, no grand vision was granted me, no blinding insight or sudden understanding, yet it is all there, clear as yesterday—clearer!—as if it were something momentous, a key, a map, a code, the answer to a question I do not know how to ask.

  “What is it?” Lydia said without looking up, and for a second I thought she had somehow been reading my mind. “What’s wrong with you, what is the matter? What”—wearily—“what has happened to you?”

  The apples were a pale whitish green and each bite came away with a satisfying, woody snap. I remember them; to this day I remember them.

  “I have the feeling,” I said, “the conviction, I can’t rid myself of it, that something has happened, something dreadful, and I haven’t taken sufficient notice, haven’t paid due regard, because I don’t know what it is.”

  She was silent, then gave a sort of laugh, and sat up and rubbed her hands vigorously on her upper arms, as if she had become chilled, keeping her face turned away from me.

  “Maybe it’s your life,” she said. “That’s disaster enough, isn’t it?”

  Evening, and she is still here. At least, I have not heard her departing. I do not know what she is up to, there has not been a sound from her, from anyone, for hours. It is worrying. Perhaps she has encountered Quirke, and is with him now, pouring out her troubles. Serve him right. Or she might have cornered the girl, might be quizzing her, wanting to know if I have interfered with her. I am skulking in my hideout, hunched over my bamboo table, feeling cross and ill at ease. Why must I always be the guilty one? I did not ask her to come here, I did not invite her. All I wanted was to be left alone. They abhor a vacuum, other people. You find a quiet corner where you can hunker down in peace, and the next minute there they are, crowding around you in their party hats, tooting their paper whistles in your face and insisting you get up and join in the knees-up. I am sick of them all. I shall not come out until she is gone.

  4

  It is the following morning, and there is much excitement. The circus, of all things, has come to town. After a night of disturbed sleep I was woken early by a confusion of noises outside my window, and looked through a crack in the curtains to find a dozen or more trailers drawn up at haphazard angles in the square. The horses were being unhitched, and big-muscled bandy men in striped vests were hurrying to and fro, plying ropes, and hefting things, and calling to each other in sharp, brief barks; it was as if the performance had already started and they were the opening act. As I watched, tent-poles were being assembled, and a big tarpaulin was thrown down and rapidly unrolled. All around the square, at other bedroom windows, other curtains were twitching, and even the odd front door was opened cautiously and a lathered face or curlered head appeared, poking out in groggy wonderment.

  “What’s going on?” Lydia asked sleepily from the bed behind me, where she had raised herself on an elbow, a hand lifted to shade her eyes.

  “It’s the circus,” I said, and had to laugh, though it came out more like a cough.

  In fact, as I later found, it is more than a circus, it is a kind of roadshow, with a shooting gallery, and stalls for shying coconuts and throwing rings, and a cage on wheels containing a family of mangy, purple-bottomed monkeys who gibber and hoot and stare at passers-by with comical malignity. There is even a hall of mirrors: Lily and I were present when it was being put up. The big rippled sheets of glass were taken out of their sacking and lowered from the back of the wagon, and for a few giddy moments a troupe of rubbery dwarves and etiolated giants shimmied and shivered in those depthless caskets of light. Lily pretends to be bored by all this, but behind her arch look there is a glitter of childish excitement she cannot suppress. We had come out to do a tour of inspection while Lydia prepared breakfast. I had that sense of false alertness that comes from the lack of both sleep and sustenance, and in the early sunlight everything around me was unreally clear and sharply defined, like the pieces of a shattered kaleidoscope. On the back steps of a trailer painted in scarlet and midnight blue a man sat, watching us. He was a shabby, skinny fellow with red hair and a thin, foxy face. He wore a loose red shirt and shapeless trousers that were much too big for him, a clownish get-up, and he had a gold ring in one ear. He looked familiar, although I was sure I had never seen him before. He reminded me of a person I used to meet about the streets last winter, at the start of my bad time, whom also I seemed vaguely to know, and who certainly knew me, or of me, at least, for every time we encountered each other, which happened with alarming frequency, he would smile to himself, an awful, smug, lip-biting smile, which he would make a show of trying to hide behind a hand, while sidling quickly past me, with eyes resolutely downcast, as if he thought I might tackle him, might plant myself in his path and make him stop, or try to cuff him on the ear as he went by. He too had red hair, and wore spectacles that flashed at me mockingly, and a duffel coat, and down-at-heel shoes and concertina trousers. I thought perhaps he might be a member of the guild, a spear-carrier who thinks himself a Kean and hates me for my reputation and my successes. After an encounter with him I would have a sense of disquiet that lingered for days. I did think of confronting him, and demanding to know what it was about me that amused him, what secret of mine he thought he had uncovered, but before I could decide to act he would be gone, hurrying off into the crowd, head down and shoulders shaking, so it seemed to me, with secret mirth. This circus fellow had the same look of amused knowingness, though he was even more sure of himself, and was evidently not in the least concerned as to what I might say or do. Nevertheless, as we drew near he stood up, showing a hand-rolled cigarette and patting his scrawny thighs as if in search of matches, and went inside the trailer. Lily, I saw, had spotted him too.

  We inspected the monkeys, one of whom rolled back his mouth so far it seemed he would turn himself inside-out, a moth-eaten lion reclining motionless as a sphinx and gazing out upon the world with an expression of unfathomable boredom, and a supercilious and very smelly dromedary tethered to a cherry tree, the lower leaves of which it was tearing with rubbery lips and spitting disdainfully on the ground. Lily stopped to watch in awe a dun mare copiously pissing. Despite my hunger I was not eager to return to the house. I am not sure which I find harder to cope with, Lydia’s anger, or that brittle cheerfulness which is its inevitable consequence. After our fight yesterday she sulked throughout the evening, but relented later, as I knew she would. I had made her come with me to the pub, in order, I confess, to allow Quirke and the girl to get themselves settled for the night without her knowing, for I had not yet gathered my courage sufficiently to break to her the news of their permanent residency. We drank too many gins, and fell into amorousness—yes, yes, I have languished off the sexual wagon, I’m afraid, just when I thought I was cured of all that delirium. But we were very tender and forgiving toward each other, and in the glimmering small hours, clasped in her familiar warmth like a marsupial in its mother’s pouch, I seemed more nearly sane than I have felt since I cannot remember when. By morning, however, doubts had set in. There is something not quite right, something even mildly disgraceful, in the way she lets her fury be transformed with such apparent ease into a wholly other sort of passion. Intransigent and cold of heart I may be, but when terrible things are said I take them to be at least an approximately accurate expression of true feelings, firm convictions. For instance, when Lydia hurls at me those accusations—that I am a bad husband and neglectful father, that I am a monster of self-regard, that onstage I cannot act and in life never cease from acting—I am impressed, I am cowed, even, despite the flinty exterior I take care to maintain. Not only that, but I bethink myself, even in the heat of battle, and wonder if perhaps these things are true of me, and if so how I should go about trying at least to ameliorate my faults and failings. My wife, on the other hand, judging by the rapidity and thoroughness with which she switches mood, seems to regard these exchanges of heavy fire, which leave me drilled with holes through which
the wind of self-recognition whistles unimpeded, as no more than light badinage, lovers’ raillery, or even, as last night, a form of sexual foreplay. Where is her sense of duty, I mean the duty to mean what one says, and, having said it, to stand by it?